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Oguike has the most eclectic and inquisitive musicality

of any choreographer I can think of in the UK

Arts Desk

Henri Oguike is one of the brightest hopes of British contemporary dance.
The Daily Telegraph

Let's hear it for Henri Oguike and his glorious and glamorous troupe, for providing such a timely reminder of what an utter thrill and what giddy fun it can be to watch people move to music.
The Daily Telegraph, 25 March 2009

His choreography has an ease and humour and sensuality that has long been absent from contemporary dance and which, if we're honest, we all rather miss. Oguike supplies in spades.
Evening Standard, 25 March 2009

Oguike's choreography emphasizes clarity - nothing looks smudgy or ill-considered, no matter how fast or physically complicated.
The Village Voice, 21 August 2007

Oguike is one of Britain's juciest young talents.
The Daily Telegraph, 11 August 2007

Oguike is one of the best things happening in British dance right now. Everything that is good about contemporary dance is evident in his work: astute musical choices ranging from Vivaldi to modern jazz; stunning dancers who bring flexibility, timing and drama to the table and intelligent choreography that bounces off the stage and into our laps.
The Scotsman, 2 April 2007

His collaboration with musician Iain Ballamy demonstrated beautifully how sound stimulates. The music integrates seamlessly throughout all his work, directly influences movement and brings out a playful sense of humour. His dancers are a joy to watch and were given choreography that demonstrates that our bodies are creative instruments too.
Article 19, 2 April 2007

Ballamy calls his six-part suite Synaesthesia, suggesting one sense stimulated by another: the perception of sound as colour, say. Oguike extends the idea to the whole body, creating the peculiar impression that his dancers are generating the music.
The Independent, 1 April 2007

Tiger Dancing, a prowl on the wild side reinforces initial impressions that Oguike's lithe, meticulous dancers can do anything he asks...Shifting moods flood bodies with green or blue light as Ballamy's music seems to possess the dancers, sending them strolling, rolling, cutting loose in flurries of adrenalised elasticity. Thrilling musicality.
The Herald, 1 April 2007

Tiger Dancing opens in a silence occupied by the razor-sharp a duet between Nuno Silva and Noora Kela but the clarity of movement is so dynamic that it assumes a symmetry with the unheard melody inside every spectator. Oguike has gathered together an octet of performers to die for.
Ballet Magazine, March 2007

Today he is an accomplished choreographer whose modus operandi is to apply movement to music with such fierce precision that its structure and its secrets are laid bare.
The Observer, 28 January 2007

Henri Oguike is one of the brightest hopes of British contemporary dance...The work vividly displays Oguike's musicality and is full of striking, contrasting movements, with loose-limbed undulation giving way to ferocious rhythm.
The Daily Telegraph, 23 January 2007

Henri Oguike's talent is brave, his ambitions bold.This is an artist who takes his chances every time, even though he has nobody to catch him if he falls.
The Guardian, 23 January 2007

Oguike's strength has always been his ability to find such bold theatrical colour within the pure abstraction of his dance.
The Times, 23 January 2007